MEMO FROM LA–LA LAND
if I were an artist this would be my sketchbook
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Montague Kobbé
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U.S. Lit
November 11, 2018
November 12, 2018
The Great War in Books: Italy, the Picturesque Front
September 6, 2018
September 6, 2018
Philip Roth, the People’s Laureate
July 24, 2018
July 24, 2018
Tom Wolfe, the Subjective Chronicler
November 30, 2017
November 30, 2017
Of Discrimination, Transculturalism and the Case for Integration
October 4, 2017
October 4, 2017
Anguilla Lit Fest: A Partial Reckoning
July 29, 2016
November 30, 2017
Of Harper Lee and Salah Abdeslam
March 18, 2016
December 21, 2016
Saul Bellow, the Rebel of Style
February 16, 2016
December 20, 2016
Arthur Miller: The Master of Emotion
December 10, 2015
December 20, 2016
Book Review: This Is How You Lose Her by Junot Díaz
January 19, 2015
December 21, 2016
T. S. Eliot: The Rhyming Possum
July 2, 2014
October 4, 2017
Anguilla Lit Fest: The Luxury of Storytelling
June 14, 2014
December 20, 2016
In Conversation with Elsie Augustave
March 10, 2014
December 20, 2016
W. Burroughs: America’s Favorite Junky Turns 100
January 28, 2014
December 20, 2016
The Case Against Fitzgerald
January 19, 2014
December 20, 2016
Tribute to Amiri Baraka (1934-2014)
December 16, 2013
December 21, 2016
Why We’re Still in Love with Gatsby
April 14, 2013
December 21, 2016
Don’t Stop the Carnival: Wouk and the Caribbean
February 10, 2013
December 21, 2016
Who’s Afraid of David Foster Wallace?
October 19, 2012
December 21, 2016
The 50s Club, Part III: William Faulkner
September 4, 2012
December 21, 2016
Gore Vidal: The Wit of Refinement
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