MEMO FROM LA–LA LAND

if I were an artist this would be my sketchbook

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  • Montague Kobbé

U.S. Lit

November 11, 2018November 12, 2018

The Great War in Books: Italy, the Picturesque Front

September 6, 2018September 6, 2018

Philip Roth, the People’s Laureate

July 24, 2018July 24, 2018

Tom Wolfe, the Subjective Chronicler

November 30, 2017November 30, 2017

Of Discrimination, Transculturalism and the Case for Integration

October 4, 2017October 4, 2017

Anguilla Lit Fest: A Partial Reckoning

July 29, 2016November 30, 2017

Of Harper Lee and Salah Abdeslam

March 18, 2016December 21, 2016

Saul Bellow, the Rebel of Style

February 16, 2016December 20, 2016

Arthur Miller: The Master of Emotion

December 10, 2015December 20, 2016

Book Review: This Is How You Lose Her by Junot Díaz

January 19, 2015December 21, 2016

T. S. Eliot: The Rhyming Possum

July 2, 2014October 4, 2017

Anguilla Lit Fest: The Luxury of Storytelling

June 14, 2014December 20, 2016

In Conversation with Elsie Augustave

March 10, 2014December 20, 2016

W. Burroughs: America’s Favorite Junky Turns 100

January 28, 2014December 20, 2016

The Case Against Fitzgerald

January 19, 2014December 20, 2016

Tribute to Amiri Baraka (1934-2014)

December 16, 2013December 21, 2016

Why We’re Still in Love with Gatsby

April 14, 2013December 21, 2016

Don’t Stop the Carnival: Wouk and the Caribbean

February 10, 2013December 21, 2016

Who’s Afraid of David Foster Wallace?

October 19, 2012December 21, 2016

The 50s Club, Part III: William Faulkner

September 4, 2012December 21, 2016

Gore Vidal: The Wit of Refinement

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